SCHEDULING AND COMPANY RULES The Master Calendar Staff Meetings Rehearsal Schedules Company Rules The Callboard GETTING THE PLAY AND UNDERSTANDING IT The Promptbook Understanding the Script Plots Area Lighting Diagrams Entrances and Exits Pronunciation Questions Special Effects Preface Foreword Acknowledgments Chapter 1ĬHARACTERISTICS OF A GOOD STAGE MANAGER Attributes of Good Stage Managers Communication/Management Skills Effective Committee Work
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First edition published 1974 by Allyn & Bacon Tenth edition published 2012 by Pearson Library of Congress Cataloging in Publication Data A catalog record for this book has been requested ISBN: 978-7-9 (hbk) ISBN: 978-6-2 (pbk) Typeset in Minion Pro by Florence Production Ltd, Stoodleigh, Devon, UK Please visit the companion website: 5 Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. In memory of Xenia Chekhov Eleventh edition published 2017 by Routledge 711 Third Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2017 Taylor & Francis The right of Lawrence Stern and Jill Gold to be identified as authors of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. Thanks to her family, Phil, Hailey, Colleen and Kringle. Jill also teaches Stage Management at her alma mater, Occidental College.
With over 150 shows to her credit, she is grateful to her “home” theatres: the Pasadena Playhouse (36 shows), McCoy Rigby Entertainment (26 shows), Sacramento Music Circus (12 shows), Reprise (22 shows) and the Geffen Playhouse (11 shows). and Canada with shows such as Wicked, City of Angels and Les Miserables, and visited Germany and Austria with Sisterella. Based in Los Angeles, Jill has toured the U.S. Jill Gold has been an Equity stage manager for over 30 years. He stage managed for years in the Los Angeles/Hollywood area (Tustin Playhouse, Actors Studio West, Equity Library Theatre, Players Ring Gallery, Las Palmas, Huntington Hartford, Greek) and Sacramento (Music Circus) before turning to directing, writing and teaching. While serving in the Air Force, he was the manager of the Armed Forces Radio Television Station on Crete (Iraklion Air Station) and directed the little base theatre at Offutt AFB, NB, and Iraklion Air Station. Lawrence Stern learned basic stage management at Eldred Hall Theatre (Case Western Reserve University, Cleveland, OH), where he earned an MA in Theatre. In its 11th edition, the book is now fully in color and updated to include new information on Equity contracts, social media applications in stage management and working with high school productions. In addition to sharing his own expertise, Stern has gathered practical advice from working stage managers of Broadway, off-Broadway, touring companies, regional, community and 99-seat Equity waiver theatres.
Revered as the authoritative resource for stage management, this text is rich with practical resources, including checklists, diagrams, examples, forms and step-by-step directions.
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Stage Management offers readers a practical manual on how to stage manage in all theatre environments. STAGE MANAGEMENT Let Lawrence Stern be the best teacher you ever had.
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